WITITJ HEALING

 George Burarrwanga; Yolngu, Gumatj

 PEOPLE VOICES

 

 George Burarrwanga

Obituary  George Rrurrambu

Charismatic Aboriginal singer working for reconciliation with a rock-reggae sound   Garth Cartwright

Thursday 19 July 2007

        Bone cancer has killed George Rrurrambu at the age of 50, thus depriving Australia of one of its most charismatic Aboriginal citizens. He gained fame in his homeland - and a degree of international recognition - as a musician and frontman for the Warumpi Band, whose celebration of Aboriginal identity and socially conscious songs represented a breakthrough in what remains a racially conservative nation.

Rrurrambu identified himself with the Yolngu people of the Arnhem Land in the Northern Territory. The word yolngu literally means "person" in the local language. The name of the band derives from the honey-ant dreaming site near the Aboriginal settlement of Papunya, 260km west of Alice Springs, where the band originated in the early 1980s. Initially playing to local Aboriginal communities, outback sheep stations and isolated townships, they toured Australia's hottest, dustied and desolate regions, developing a loose, soulful rock-reggae-country sound.

The band wrote, recorded and released the first rock song in an Aboriginal language, Jailanguru Pakarnu (Out From Jail), in 1983. A year later, they released their debut album, Big Name No Blankets. Its cheap production values could not hide the band's original vision and lyrical eloquence. Good reviews and a degree of radio play followed. One song, Blackfella/Whitefella, with its lyrical refrain of "Black fella, white fella/ Yellow fella, any fella/ It doesn't matter what your colour/ As long as you are true fella", has become a classic of contemporary Australian music. In 1985 the band toured Australia, Papua New Guinea, the Solomon Islands and Vanuatu, and a year later released their Go Bush album, which contained My Island Home, a hymn to Ruruuambau's tribal land that would become an unofficial national anthem to many Aboriginals.

With his huge Afro hairstyle and energetic stage performance, Rrurrambu, who also introduced Aboriginal clap sticks into rock'n'roll, began to be compared to Mick Jagger and James Brown. But alongside success he struggled with alcoholism. He later admitted, "I started off singing ... with the alcohol in my hand. I was singing about 'When are you going to stop drinking?' but I was falling all over the place. I realised that I was cheating my own people, saying, 'You stop drinking so I can drink it myself.'"

The Warumpi Band folded in the late-1980s, although Rrurrambu continued to perform as a solo artist. In 1995 the band reformed, released the album Too Much Humbug - with a launch party in Alice Springs before a tour of Australia, Germany, France, Poland, Switzerland, Italy and Britain. Although now commanding a degree of international recognition, and viewed as pioneers in Australia (where they had inspired a new generation of Aboriginal musicians and artists), they again split up in 2000. Rrurrambu, now concentrating on performing reggae-flavoured original material (both solo and fronting Birdwave), embarked on a theatrical career with Nerrpu Dhawu Rrurrambuwuy (The Story of George Rrurrambu) and gave workshops and lectures on the traditional Yolngu way of life. For these he travelled internationally, sometimes upsetting western clients when he insisted on sticking with traditional lore. "I was speaking overseas," he recalled, "and this wealthy woman, she wanted to play the didgeridoo. That's all she wanted to do. I explained that she couldn't (only men can), and she got upset. I told her, 'I should be the one getting upset! It's our lore, you have to respect it.'"

Rrurrambu was active in promoting reconciliation and cross-cultural understanding between Australians. In later years, he returned largely to traditional life, attending funeral and circumcision ceremonies with his father, a Gumatj clan leader. He was a proponent of combining the technical experience of Europeans with the knowledge of the land of the Aboriginal people in order to build a future that engaged all Australians.

He retreated to Elcho island, the place that inspired My Island Home, last February when the cancer diagnosis was terminal. For cultural reasons, upon his death he became referred to as George Burarrwanga. His last album, Nerbu Message, concluded with the song Wake Up Australia, something Rrurrambu had spent his adult life striving for. He is survived by his wife Suzina McDonald, two sons and four daughters.

ยท George Rrurrambu, singer, songwriter, born 1957; died June 10 2007

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www.theage.com.au/news/music/yolngu-rocknroll-man/2005/07/25/1122143782740.html -

Yolngu rock'n'roll man

By Lindsay Murdoch
Darwin

July 26, 2005

George Rrurrambu will take the stage in his show NERRPU Dhawu Rrurrambuwuy, to be performed at the Darwin Festival month.

George Rrurrambu knew that his hell-raising days, when he was known as the "black Mick Jagger", were hypocritical.

"I was bad drinker, a heavy drinker," says the former lead singer of Warumpi Band. "I was singing to deliver a message about my people needing to giving up the grog and was weaving all about the place myself.

"Then, as I was about to lose everything, people around me were saying, 'George, you can use the colour of your skin to tell the world about the true, proud story about your people and your country (land)'."

The story of Rrurrambu's life and his Yolngu clan, including his wild days touring with Warumpi, will be portrayed next month during a one-man show - NERRPU Dhawu Rrurrambuwuy - at the Darwin Entertainment Centre, one of the highlights of the 18-day Darwin Festival that starts on August 11.

"My show sends out many messages," he says. "White fellas and black fellas have got to come together in a new era but they can't do that until they know the truth of the past."

Rrurrambu says the world must understand that Aboriginal people are "human beings on this planet - we are people who will not be pushed around".

During the multilingual show, co-written and directed by Carmel Young, Rrurrambu appears near naked on stage carrying a spear and woomera.

He tells the story of his ancestral "grandfather", who heroically repels a landing party from a Dutch ship, slapping away musket balls fired at him and eventually spearing three men with one spear. Aged 48, Rrurrambu shows amazing agility. On stage, he will act out the moment he decided to give up the grog and talk in a humorous way of his years as a rock'n'roll singer, which he says "brought fame but not much fortune".

Members of his family will be seen singing and dancing in a multi-media backdrop produced by video artist Tony Collins.

Artistic director Malcolm Blaylock says this year's Darwin Festival will have a strong emphasis on the cultures of Aborigines and Indonesians.

The strong historical connections between the Yolngu people of Arnhem Land and the Makassarese people of Indonesia will be revived when dancers from the cultures perform on an open-air stage on August 15.

Blaylock says the festival will also feature performances by Christine Anu, David Page in Page 8, Gary Lang's new show Entrapment and Dubu and dancers from Papua New Guinea performing rituals.

http://www.guardian.co.uk/news/2007/jul/19/guardianobituaries.obituaries

(Macassan sail boat - a Yirritja metaphor for the departure of souls.)

 

 

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